Leon Sefton is no stranger to professional sailing and the America’s Cup, however he is lesser known than the sailors or design teams. As one of the top producers in sailing TV, Sefton is the guy calling the shots behind the cameras to bring the 36th America’s Cup to your screens. “Each day when we’re on-air, what I’m looking for we’re making sense of what’s playing out in front of us.” Managing and directing 12 audio feeds, 10 onboard cameras, 2 chase boats, and 2 helicopters—all on the water– Sefton has his hands full. “It is immensely challenging,” he said. “Compared to F1, where you surround a track with cameras and run cables back to your live truck and nothing moves and everything should work, we have none of this going for us in sailing.”
Rob Greenhalgh knows difficult. And we’re not talking about his hard laps around the planet, his skiff class world titles or all the grand-prix programs.
The decisions, details, design work, and training create a unique DNA for each program. The die has been cast, and in many ways, the America's Cup is over before the trials commence.
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Double Silver medallist Ian Walker gives us his perspective on the pressures when competing on the world stage and what to look out for in Marseille during the Paris Games.
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